Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Thomas Seddon
Jerusalem and the Valley of Jehoshaphat from the Hill of Evil Counsel

ID: 90880

Thomas Seddon Jerusalem and the Valley of Jehoshaphat from the Hill of Evil Counsel
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Thomas Seddon Jerusalem and the Valley of Jehoshaphat from the Hill of Evil Counsel


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Thomas Seddon

1821-1856   Related Paintings of Thomas Seddon :. | kartong for frisen i stoclet-palatset | San Francisco Bay | St Roch Asking the Virgin Mary to Heal Victims of the Plague | European city landscape, street landsacpe, construction, frontstore, building and architecture.315 | Sunflowers |
Related Artists:
Hicks, Thomas
American Painter, 1823-1890 Cousin of Edward Hicks. After being apprenticed (c. 1835-9) in the sign-painting shop of his cousin, he studied at the Pennsylvania Academy of the Fine Arts in Philadelphia (1839-40) and at the National Academy of Design in New York (1840-44). He then sketched and painted in England, Italy and France before becoming a student of Thomas Couture in Paris (1848-9). On his return to the USA in 1849, he established a studio in New York and quickly became a popular portrait painter, although his portrayals only rarely have enough psychological depth to make them of more than documentary interest. Hamilton Fish (1852; New York, City Hall) is among his stronger works. Hicks also painted genre subjects, such as Musicale: Barber Shop, Trenton Falls (1866; Raleigh, NC Mus. A.), and landscapes, the latter chiefly near Thornwood, his summer residence at Trenton Falls, NY.
Andrea Pozzo
Italian Baroque Era Painter, 1642-1709 Italian painter, architect and stage designer. He was a brilliant quadratura painter, whose most celebrated works, such as the decoration of the church of S Ignazio in Rome, unite painting, architecture and sculpture in effects of overwhelming illusionism and are among the high-points of Baroque church art. He was a Jesuit lay brother and produced his most significant work for the Society of Jesus. This affiliation was fundamental to his conception of art and to his heightened awareness of the artist's role as instrumental in proclaiming the faith and stimulating religious fervour. The methods he used were those of Counter-Reformation rhetoric, as represented in Ignatius Loyola's Spirited Exercises (1548).
Domenicho Ghirlandaio
Renaissance Artists , 1449-94






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